Thor Madsen was born in Chicago; his parents had arrived at a hot moment (1968) and the fully took up the spirit of the time. Before they headed back to their native Denmark, where Thor would be raised, they picked up a great vinyl collection; Santana to Deep Purple, Hendrix, Dylan, Sly and Procol Harum among the titles. Growing up Thor followed in his brother’s footsteps and learned guitar, heading across the street to the local arts and community center where he had full access to rehearsal rooms, instruments, and amps. One day his brother handed him a copy of We Want Miles, and everything changed. He was hooked, and began the process of understanding Jazz through reverse engineering.
Thor went on to what is known as a rhythmic conservatory in his home town, catching a wide variety of shows at night and digging into new music. He put together an acid Jazz band, influenced by the likes of Guru, Us3, and Digable Planets and soon received offers to perform. Thor pulled together as much as he could while in his small town, but he had it in his head to get to New York for even broader horizons. Soon he was on the scene, mixing and performing with cats at Izzy Bar and later Nublu. He was part of the Hip-Hop collective The Real Live with Dionysus, Stimulus, Eric Revis, James Hurt, and Dana Murray. As Nublu became a hub his focus shifted to the space between Jazz and Electronica, as he toured with The Nublu Orchestra, Wax Poetic, and Our Theory. Somewhere in this whirlwind he picked up his new moniker, Thor De Force, as personally described by writer John Farris.
The story tells itself: a man who let music into his soul and found it was already there. A curious mind with a persistent desire to experiment. There is a solid beginning but no end, as Madsen also works with Jazz Explorer Trio and RagaJazz with violin virtuoso Kala Ramnath. And so the new album - Sounds Of The Mansion - is a document of a journey. Working from his studio Mazza Mansion, with an arsenal of equipment within reach, Thor began each song with one seed, cultivating the sound and bringing in new ideas as they blossomed. The result is a comprehensive glimpse into the creative mind of Thor De Force.
“The album is my attempt to really do my own music, my own style, my own story. There is a little of everything I like in it. I have tried to create an open kind of music where all the things that inspire me can coexist and feed off each other, in a possibly vain attempt to reconcile everything I love.”
released March 29, 2019
Composed, produced, recorded, mixed and mastered by Thor Madsen at
Mazza Mansion, Copenhagen
Drums and percussion on track 3 recorded at Puma Studios, Copenhagen
supported by 44 fans who also own “Sounds Of The Mansion”
This album is on fire from start to finish. I've been meaning to explore Adjuah's music for a couple of years, and now I wish I'd started sooner. He manages to successfully bring together many strands of the diaspora music and spin them into something new and old and beautiful. Paul Currion
supported by 42 fans who also own “Sounds Of The Mansion”
Thanks Mark, love both records - couldn’t choose between them - the best of both worlds of the music you make. What would be equally as cool would be to see you dive into your New Zealand heritage on your next double record! Surely just as much history and music to be had there too. Cheers rse1985